- #How do i brighten and saturate colors on final cut pro 10.3.4 full
- #How do i brighten and saturate colors on final cut pro 10.3.4 iso
They cause a lot of image quality problems and color shifts. Avoid cheap "variable density" filters if possible. They are available in various strengths from one stop (half the light) to ten stops (1/1024 the light).
#How do i brighten and saturate colors on final cut pro 10.3.4 iso
#How do i brighten and saturate colors on final cut pro 10.3.4 full
If they're all totally full then there is no difference between any part of the image and there is no usable information. pixel wells) have to be fuller than others. In order for an image to contain usable information (which is what we would call a properly exposed photo), some of the "buckets" (i.e.
We'll have no way of knowing how much more rain might have fallen on either side of the yard. If a bucket that can only hold 2 inches on one side of the yard got 2 inches and a same size bucket bucket on the other side of the yard had four inches of rain fall on it, they'll both be equally full. If the rain bucket is only big enough to hold two inches of rain and it rains four inches, the bucket won't be any fuller than when it was overflowing after the first two inches had already filled it up. The one exposed for ten times longer won't be ten times as bright because the shorter exposure also let enough light strike the sensor to fill all the pixel wells until they were full.
If you just expose barely long enough for the entire photo to be pure white (full saturation in all three color channels) or if you expose for ten times that long the photo will be equally white. With a digital sensor (or even with film) it is not possible to increase the level of a color past saturation: that is the highest value for that color recordable by the sensor or film.
They've all been recorded equally bright. In such a case we have no way of determining which was brighter, red, blue, or green. But if the red and green are saturated then the blue will also be saturated because that would mean the blue was exposed twice as bright as what was needed to fully saturate the blue channel. It also means it is possible to fully saturate the blue without saturating the red and green. Think of it this way: If a scene has twice as much blue as red and green when properly exposed the amount of blue recorded will be twice the amount of red and green recorded. When an image is all white it means the entire scene is overexposed to the point all three color channels are fully saturated. Any image that has pure white in it means that at the parts where the image is pure white all three color channels have been exposed bright enough to reach maximum value.